Keeping the dish the same
A film shows one dish from four angles. Nothing makes that hard to look at faster than four slightly different dishes — a bowl that changes colour, a garnish that moves, a strawberry that wasn’t there before.
The rule
Every picture is drawn with the real photo of the dish held up beside it — not just the picture before it.
How it works
- When you make a film about a menu item, its hero photo is attached automatically. You can see it at the top of the Images step, under Style references.
- The shot list also writes down the dish itself — what is on the plate, the garnish and where it sits, the bowl’s shape and colour. It sits under The look on the first step, and you can edit it.
- Every picture after that is drawn with three things beside it: the real photo, the first picture you already made, and the one immediately before. Each one is labelled, so the model knows which is the true dish.
- If a picture still comes out wrong, fix the dish itself in step 1 first, then press Regenerate on that scene. Correcting the description fixes every scene you make afterwards; regenerating alone fixes one.
Good to know
- The first scene is usually a wide shot where the dish is small. That’s fine — later scenes are anchored on the real photo, not on that one.
- A dish with no photo has no anchor. Add a hero photo to the item before making the film and every scene gets a great deal closer.
- You can add more references. Drop or add reference on the Images step takes up to four — a second angle of the same plate helps most.
- An amber line under a picture means it was drawn without the photo to match. That one may not fit the others; regenerate it.
- Regenerating a scene never uses its own old picture as the reference, so a retry is a real retry.
Related features
- Films — the whole pipeline, start to publish.
- A film on this dish — making one from a menu item.